Conversations In Chaos

Third blog post in a series which revisits the Sensitive Chaos project conducted at the coastal site of Orford Ness (Suffolk, UK). Excerpts from 'conversation walks' with some of the main participants are copied here. These are transcribed from audio recordings which were originally presented on cassette tape as part of an exhibition and installation trail in Summer 2019.

 

Duncan K.: So now we come to our Zybolian ruined civilisation. What on earth were these forms? They resonate with things like burial mounds. As if they were just built as monuments. And that is what they look like you know, big longbarrows,

A cabinet of curiosities

Second installment of notes and reflections from the 2019 exhibition Sensitive Chaos, derived from an extended artist residency at Orford Ness, an ex-military zone on the Suffolk Coast (UK).

What follows is a selection of exhibition notes assembled to accompany a 'cabinet of curiosities' in one of the four exhibition rooms. The full exhibition has been described in a previous blog post.

NOTE 1: A CHINESE MISCELLANY

Synchronicity: no causal connection, yet possibly meaningfully related?
Since my first visit here, I have been struck by the accumulation of references to China.

Foraging on the shingle shore

Orford Ness artist residency. First of a series of blogs revisiting findings and reflections from the Sensitive Chaos project, 2019.

Prompted by some recent requests and discussions, I have assembled imagery and notes from parts of the Sensitive Chaos installation trail. Unlike the project's video-sonic works (NebulousNess and Blue Danube Redux) and the photographic series (Lethality & Vulnerability), the elements featured here have not been documented elsewhere. More broadly, I was asked by a cultural heritage researcher to reflect on the artist residency and the ways in which I interacted with the specifics of the site (a former military testing area), the controversial strategies of heritage management (by the National Trust and others) and the legacy of a long pattern of artist involvements with this unique place. Some of these general reflections are included here.

The image above was taken at one of the observation windows on the top floor of an all-timber, eight-sided building called the 'Black Beacon'.

Sensitive Chaos

Sensitive Chaos - poster
Exhibition at Orford Ness, 2019

Poster production with the assistance of the Letterpress Collective, Bristol.
www.nationaltrust.org.uk/orford-ness-national-nature-reserve/features/sensitive-chaos-on-orford-ness

Landscapes In Limbo part 4

SENSITIVE CHAOS @ Orford Ness

a creative installation project by Antony Lyons

APRIL-OCT 2019 

Part of the ‘Limbo Landscapes Lab’ project 

supported by Arts Council England and the Heritage Futures research project (AHRC)

“Nothing is weaker than water,

But when it attacks something hard

Or resistant, then nothing withstands it,

And nothing will alter its way.”

Tao Teh Ching (via Bruce Lee)

Sensitive Chaos * - flow, change and futures on Orford Ness  From April to October 2019, the National trust site of Orford Ness (UK) will be hosting works by environmental artist, Antony Lyons. As a creative researcher attached to the Heritage Futures academic project, Lyons creates ‘geo-poetic’ responses to landscape situations that are ‘in-between’, and undergoing transformation. The presented works reflect his explorations with people and landscape, based on visits over the past two years. Working with invited participants, he will use image and sound installation to give exposure to human, non-human and biophysical aspects of this unique place.