Second installment of notes and reflections from the 2019 exhibition Sensitive Chaos, derived from an extended artist residency at Orford Ness, an ex-military zone on the Suffolk Coast (UK).
What follows is a selection of exhibition notes assembled to accompany a 'cabinet of curiosities' in one of the four exhibition rooms. The full exhibition has been described in a previous blog post.
NOTE 1: A CHINESE MISCELLANY
Synchronicity: no causal connection, yet possibly meaningfully related?
Since my first visit here, I have been struck by the accumulation of references to China.



