Antony Lyons | Projects Journal

29 Apr 2020

Sensitive Chaos


Sensitive Chaos - poster
Exhibition at Orford Ness, 2019



Poster production with the assistance of the Letterpress Collective, Bristol.
www.nationaltrust.org.uk/orford-ness-national-nature-reserve/features/sensitive-chaos-on-orford-ness

Posted by Antony Lyons at 14:43
Labels: Deep Mapping, Doggerland, Ecology, Fieldwork, filmic meditations, Geopoetics, Heritage Futures, Landscape, nature+culture, Orford Ness, PLaCE Research, Sensitive Chaos, Slow Residency
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Activities and Contact

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Antony Lyons
As an ecological artist with a background in environmental/geo-sciences and landscape studies, much of my work is concerned with specific places, and relationships between ecological change and human activity. Areas of particular focus include coastal/river landscapes, deep-time (geological) perspectives, routes/journeys and intangible culture. My geopoetic research and production methods rely on creative fieldwork and experimental remixing of archives, recordings, data and contemporary narratives - explored in the context of both 'slow' and 'intensive' artist-residencies. My methods include sculpture, film, sound, photography and intermedia installations. I have worked within a number of academic research projects and long-term land- and water-scape explorations. The enduring aim is to uncover unexpected and unfamiliar perspectives on ecological change, eco-social healing, common-land, wilding and related themes.
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Public Funding

Public Funding
'Drowned and Dammed Lands', 'Limbo Landscape Lab' and 'Here Commons Everybody' have been part-funded by Arts Council England. Long Exposure residency (Elan Valley, Wales) funded by the National Lottery Heritage Fund.

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LINKS

  • Antony Lyons | Projects
  • NOVA
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Labels

Geopoetics (45) Fieldwork (34) Deep Mapping (29) Landscape (27) Ecology (26) Eco-symbolic (23) Slow Residency (21) Installation (19) nature+culture (16) rewilding (16) Drowned Lands (14) Biodiversity (12) North Devon Biosphere Reserve (12) PLaCE Research (12) Severn Estuary (12) Confluence Project (11) social sculpture (11) Heritage Futures (9) Counter Mapping (8) environmental justice (8) filmic meditations (8) Coa Valley (7) Dammed Landscapes (7) Artist Residency (6) Colorado River (6) Ecophilic (6) Grand Canyon (6) Here Commons Everybody (6) art+science (6) bio-indicators (6) China Clay (5) Eco-Commons (5) Orford Ness (5) Sensitive Chaos (5) Slow Track (5) Videosonics (5) pilgrimage (5) pollution (5) sensors (5) tidal culture (5) Doggerland (4) Ecological Art (4) Elan Valley (4) Lovely Weather (4) Weeds (4) ecoids (4) salt landscapes (4) Creative Research (3) Damned Landscapes (3) Encounter Mapping (3) Hydrocitizenship (3) Ongoingness (3) Somerset Levels (3) Transformation (3) WaterCityBristol (3) shadows (3) Climate Change (2) Collaboration (2) Commons (2) Filmpoem (2) Flooding (2) Portugal (2) Quantock Dreaming (2) Reservoir (2) What Commons Next? (2) Wilderness (2) Archaeology (1) Bristol Loves Tides (1) Coast (1) Dada (1) Daylighting (1) Donegal (1) EU Green Capital (1) Ecologies Of Violence (1) Eels (1) Exclusion Zone (1) Forest (1) France (1) Healing (1) Heritage (1) Hidden Waters (1) Hidden Worlds (1) Imaginarium (1) LandCRAFT (1) Landscape Restoration (1) Leonardo (1) Liminality (1) Long Exposure (1) Rivers (1) Sound-Art (1) Transgression (1) War (1) Water City Bristol (1) Wild Coa Symphony (1) World Water Day 2015 (1) World Water Day 2017 (1) bioregion (1) data (1) i-DAT (1) public art (1) sonic art (1) water politics (1) water wars (1)

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